In the Sound Editor for programs and layers, you can find the parameters that are set globally for an entire program or layer. The mapping functions are based on information like key range, root key, and velocity range. You can manually edit the sample mapping via the Mapping Editor. You can load, save, and manage different kinds of sound files. You can automate most of the HALion parameters from within your host application, whether these are parameters of a program or global parameters such as AUX effects. In the plug-in functions section, on the toolbar, and on the Options Editor, you can find global functions and settings for HALion. For example, presets can be used in several different sections and contexts, but their handling is always the same. Some common controls and concepts exist throughout the program. This allows you to make the most of the available screen space. The size of each window and window section is individually adjustable. You can arrange the available editors in the window, structure the window sections using tabs, and configure several separate windows for your work. HALion provides flexible and highly customizable window management options. Here you will find detailed information about all the features and functions in the application. This is the Operation Manual for Steinberg’s HALion. With 32 stereo-output channels and six-channel Surround support, this is a monster.The following list informs you about the most important improvements in HALion and provides links to the corresponding descriptions. HALion has powerful mixing and routing and comes with a long list of high-quality effects including VST Amp, the lush REVerence reverb and VintageCompressor. I cut out a single bass note, drop it into HALion and use Warp to end up with a playable instrument. I use this if I like the sound of a bass-sample loop, but want to create my own melody. My second-favourite feature is the Warp feature. Warp is similar to Cubase’s VariAudio in that it will time stretch the sample to be of equal or variable length up and down the keyboard.For instant glitch mayhem, use the ‘Create audio slices from hitpoints’ function in Cubase to slice up an audio file, drag into HALion, hit ‘Create sliced loop’ and those slices will be automatically and chromatically assigned up the keyboard. Great for making new vibes from vocals and organic drum patterns from ‘found’ sounds.Studio Strings is great for pop arrangements and film scoring. Anima has two wavetable oscillators for cutting-edge synth sounds and warped mayhem Skylab uses granular synthesis with a huge preset list for deep electronic and cinematic sounds – some nasty textures here. The list goes on there’s a wealth of sounds at your fingertips, from analogue kitsch to world instruments, organs to drums. Hot Brass ushers in a new era of funk and roots – this multi-sampled brass section sounds fat and tight. The lovely people at Steinberg have been very busy! Standout sounds are the Raven and Eagle Grand Pianos, for rich, natural and brilliant tones suited to classic to contemporary. HALion has a huge 30GB sound library of custom-recorded samples. And to manage your instruments, you can create and export sound libraries with Library Creator. With live sampling, you can record internal and external sources directly into HALion and have your samples cut, mapped and ready to play, which is great with acoustic instruments. You can even trigger sounds from an external synth keyboard – HALion will listen to the MIDI and assign the incoming audio to those notes. In addition, for those who love to code, HALion has a script module for writing advanced behaviours for your sounds. Fans of the synth Spire will love this feature. I dragged in a hip-hop vocal-shout sample and with a couple of clicks, I had an awesome wavetable pad to play with – the detune function really makes this sound lush. The editing screen is intuitive and the sonic warping features are immense. Drag in a vocal audio clip and resynthesise the hell out of it – from crazy digitised mayhem to lush, evolving pads. HALion ushers in the next generation of wavetable synthesis.
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